Tag Archive | Sylvia Crawley

Which wood to wassail

The festive season is upon us and with it traditions of historic communal drinking and singing.  We are fortunate to have a number of large wooden wassail bowls made for just such events in the mid 17th century.  They are made from lignum vitae, Guaiacum Officianale, a tropical hardwood from Central and South America. 

Lignum Vitae wood was first brought to Europe in the early 1500s.  It must have been viewed with a certain amount of curiosity and awe as there is nothing quite like it in Europe.  It is the heaviest wood in the world; so dense and heavy that is cannot float even in salt water.  Its shiny, oily texture gives it a wonderfully lustrous finish which woodworkers found invaluable for making boxes where it was important to keep the contents from drying out.  Plus the dense interlocking grain which made the wood so strong meant it was ideal for making anything which needed to be especially durable.  But the thing which mattered most in the early 1500s was that it came with a supposed guarantee that it could cure syphilis. Traditionally, the Taino people from the Caribbean Antilles had boiled lignum wood shavings and extracted the resin which they applied directly on to wounds. Europeans, eagerly anticipating a cure, called this new wood ‘Lignum Vitae’ – tree of life.

Now all this might seem a long way away from good cheer and carolling but the prospect of a drinking bowl which contained medicinal properties made lignum vitae the perfect choice of wood for a ceremony called waes-hael, or as we would say today – good health.  Traditionally maple wood had been used for such celebrations and the diameter of drinking bowls, known as mazers, was naturally limited to the size of the trees growing in the local landscape.  But the size of lignum vitae logs was larger than anyone had seen before so there was no holding back: it was now possible to turn larger and deeper bowls which was ideal for community festivities.

Loving cup

This bowl is one of the smaller ones and can be described as a loving cup as it would be possible to lift it; drink from it and then pass on to your neighbour.  Some of the larger wassail bowls would have been too heavy to lift when they were full of drink and instead smaller cups were used to dip into a wassail bowl to refill the loving cups.  It would have been used in a wealthy household as working with wood this hard and dense required specialist tools and access to a ‘machine’ lathe with one or two apprentices providing the power needed to turn the great wheel.  The decoration provides another clue that this is a prestige object.  The criss-cross and wavy lines which are so often found on wassail bowls are known as rose engine turning from their similarity to rose petals.  They represent the peak of wood turning skill and many of the turners capable of carrying out such work also worked in ivory and other expensive materials.

Base of the loving cup

Wassailing was not restricted to Christmas. There were many other times in the year which called for the bowl to be in use. Shrove Tuesday; Halloween and All Saints Day on November 1st were all associated with wassailing in various parts of the UK.  But one of the main celebrations in which it played a part was at the end of Christmas at Twelfth Night on January 6th.  The poet, Robert Herrick (1591-1674) mentioned wassailing in his poem “Twelfth Night” and gives us a tasty glimpse of the contents which were bound to make the party go well.

“Next crown a bowl full
With gentle lambs-wool;
Add sugar, nutmeg and ginger,
With store of ale, too;
And thus ye must do
To make the wassail a swinger.”

Sylvia Crawley,
Curator (Applied Art)

Catterns Day and the candlestick

Jack be nimble
Jack be quick
Jack jump over the candlestick

Candlestick from the collection

November 25th is Catterns day; the feast day of St Catherine who is the patron saint of lacemakers, spinners, ropemakers and unmarried women in general (spinsters). It was a day of celebration for lacemakers who had reasons to be thankful to two Catherines on this day; the patron saint Catherine of Alexandria and also Queen Katherine of Aragon who did much to invigorate England’s lace industry whilst she was living at Ampthill Castle, Bedfordshire, in the early 1530s.

In the 1800s lacemaking was a major part of life in the counties of Bedfordshire, Buckinghamshire and Northamptonshire and many children went to lace schools to learn the trade. Lace was a luxury product often selling for extortionate amounts of money but the people who made it lived in poverty with many of them suffering from sight related problems owing to the intricate nature of the work. November 25th marked the beginning of the winter season and meant that candles could be used to give them some extra light. However, because they were making such expensive items, lacemakers needed to be very careful not to get any dirt on to the lace they were making. One well-placed candle is better than many; plus as candles were themselves costly items, one candle was often as much as a lace school would wish to pay for. To improve the quality of light from a single candle it was placed in the centre of a number of flasks which held pure water. This helped to refract the light and illuminate a much wider area. Traditionally the water in the flasks should be from melted snow, which perhaps gives us a clue to a time when colder Novembers were the norm. 

One feature of Catterns day celebrations was the jumping of the candlestick. One student leapt over the stick whilst the others chanted the rhyme: Jack be nimble; Jack be quick… given that our candlestick is over a metre tall this called for some pretty spectacular athletics.

Full length view of the candlestick from the collection

Sylvia Crawley,
Curator (Applied Art)